摘要
近30年来,虽然中国戏曲艺术发展的危机日甚一日,但是,当代中国戏曲剧本创作却取得了显著的成就。根据其内容,可以将已经搬上舞台的一千多部剧目分成四类:弘扬民族传统道德剧、伦理反思剧、人性剖析剧、士气倡导剧。颂扬传统美德的剧目,仍然受到广大草根民众的欢迎。表现旧社会人民反抗黑暗势力的剧目替代了纯粹暴露黑暗的剧目。思想先进、人物形象典型化,成了许多剧作家追求的目标。"不自然",是近30年来戏曲文学创作的最大缺点。
According to the content, more than thousand plays which have been staged can be divided into four categories: those carry forward the national moral, those rethink the traditional ethics, those analyze human nature and those advocate morale. Among these four categories, plays which magnify traditional virtues are still popular with broad grassroots people, plays which simply expose the dark side of the society were taken place by the ones which display people's resistance with dark side of society in old societies, and plays that cater to the aesthetic taste of contemporary literati have been the main trend of playwriting.
出处
《艺术百家》
CSSCI
北大核心
2011年第3期72-81,85,共11页
Hundred Schools In Arts
基金
2008年度国家社会科学基金艺术学一般项目"城市化进程中的戏曲发展研究"(项目编号:08BB15)阶段性成果之一