摘要
上海京剧院新编创的京剧作品《成败萧何》将人物投放到滚滚滔滔、雄浑磅礴的历史大势裹挟之下,去审视他们个体生命的局限和陷入群体的无奈,并由此进入人性反思。作品涉及了道德、责任、友情、生命、人格、天性、人的尊严及国家与个体关系等伦理范畴,颇具人文品格,力求由审美判断进入更加深邃的哲理思辨层面。作品对社会、历史、时代与现实具有锐利的穿透力,渗透了对生命价值、人生境界、理想信念和精神价值取向的期盼。
Created by Shanghai Peking Opera Troupe, " Xiao He both as a Winner and a Loser" presents its characters in a magnificent history course. The play profoundly involves several categories such as morality, responsibility, friendship, life, personality, inborn nature, dignity, and relationship between individualism and collectivism, which endows the play with a humanistic quality. The play goes further to a philosophical speculation and it either owns a penetrating power to social, historical, contemporary and practical problems, or looks forward to a new development in spiritual life itself.
出处
《艺术百家》
CSSCI
北大核心
2011年第3期111-116,共6页
Hundred Schools In Arts
基金
国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一