上帝的母狮或空气的精灵:普拉斯对诗人身份的寻觅

Sylvia Plath:To Construct the Identity of the Poet

西尔维亚·普拉斯是美国60年代"自白派"诗人中最有才华的一位,她被认为是20世纪最伟大的女诗人之一。普拉斯寻觅到了诗歌触动人心的内在旋律,将个人、集体的苦难与死亡、重生联系在一起,获得了令人"震惊"的艺术效果,在生死边缘完成了自我救赎的完美仪式。本文试图通过解读普拉斯的诗文、特别是《爸爸》、《爱丽尔》两诗,分析诗人如何突破私人经验的界限,完成对诗人身份的建构。

Sylvia Plath is the most brilliant poet of the 1960s' American Confessional poets, and she is thought as one of the most outstanding poets in the 20th century. Plath found the affecting cantus to interosculate individual/collective unconsciousness, such as suffering, death, renascence, together. Her poems achieve the 'astonishing impact' through subliming her personal existential experiences to artistic experiences, and fulfill the perfect ritual of the poet's self-salvation at the brink of life and death. This article intends to analyze how the poems break through the limits of private experiences to construct the identity of the poet by her poems and fiction, especially Father, Ariel, etc.