摘要
庄子乐论,多在世态人情的叙事中加以表现,深入研究其意义能发现音乐与美学理论的许多根本问题,如音乐审美活动之于人的专对性、音乐情感的本真性、音乐文本的多义生成及其与接受者的对象化关系的论说,生动反映出自然朴素的美学崇尚,以及对社会、人生与生命的感悟。
Zhuang Zi's music theory is mostly reflected in the description of world affairs.A further research of the theory will reveal the basic principles in music and aesthetics,such as the human-centered property of music,true feelings in music,polysemy of music,and the acceptance of music by audience.The theory also reveals the natural beauty and the understanding to society and life.
出处
《渤海大学学报(哲学社会科学版)》
2011年第3期99-102,共4页
Journal of Bohai University:Philosophy & Social Science Edition
关键词
庄子
乐论
专属对象
本真之情
审美接受
Zhuang Zi
music theory
audience
true feelings
aesthetic acceptance