摘要
两汉时期,社会经济实力强大,厚葬之风盛行,因此出现大量画像石祠堂,这些石祠用立体的建筑及绘画形式重现出汉代的精神与物质的世界。其中,以山东的"武梁祠"颇具代表性,这座可完全复原的2世纪祠堂,在与同时期石祠具有相通共性的同时,还有其独特之处,由此构建了一个极具个性的精神世界。
During the period of Western Han Dynasty and Eastern Han Dynasty, as a result of the prosperity of economy and society, trends of holding elaborate and deluxe funerals for the dead prevailed among people. Therefore, a myriad of shrines with stone sculptures emerged, which reproduced both of the spiritual and material world in Han Dynasty with forms of stereoscopic architecture and drawing. Among these shrines, Wu Liang Shrine in Shandong Province is especially representative. This ancient shrine was built in the second century and could be restored almost perfectly. Wu Liang Shrine carried not only the same common features with coeval shrines but also its own distinctive characteristics and thus established a spiritual world of idiosyncracy.
出处
《陶瓷科学与艺术》
CAS
2011年第3期34-36,共3页
Ceramics Science & Art
关键词
武梁祠
东汉
画像石
思想
精神
Wu Liang Shrine
Eastern Han Dynasty
stone sculptures
thought transference
spirit