摘要
在中国古代音乐史和民族音乐理论的研究成果中,"均"字都是一个相当重要的概念,有些问题(如"同均三宫")至今尚存争议。笔者在此文中不是要谈"同均三宫"的问题,而是从"均"的读音入手,得出"均"字释义中与音乐相关者,至少有三种不同的读法的结论。另则指出,作为先秦调律方法的术语,应避免使用"均法"一词,代之以文献中提到的"钧法"。
In the studies of ancient Chinese musical history and national musical theories,the word ＂jūn＂ has been a very important concept,and up to now there still exist some controversial problems yet to be settled,such as ＂Three-Gong in One Yùn＂.In this article,the author is not going to talk about this issue,but to reach a conclusion that there are at least three ways to pronounce this word after a study of its meaning that has connection to music.And at the same time,this article points out that the expression ＂钧法＂（jūn method）,instead of ＂均法＂（yún method）,should be used as the term in the tuning methods in Pre-Qin era.
出处
《贵州大学学报（艺术版）》
2011年第1期10-13,共4页
Journal of Guizhou University Art Edition
关键词
均
均钟
均钟木
均法
钧法
yún
yún bell
yún bell stick
yún method
jūn method
