摘要
本文以《安妮日记》1959年的好莱坞电影版为主要研究对象,运用女性主义电影理论对《安妮日记》从日记文本到电影的改编现象作分析,破解纳粹屠犹的知名受害者安妮.弗兰克在历史上被浪漫化和被神化的迷思,从而揭露其形象流变中所隐藏的主流性别文化症候。
Using the feminist film theory,this article focuses on the Hollywood film version of The Diary of Anne Frank(1959),attempting to analyze its adaptation from diary to film.It aims to decipher the myth of the romanticization and secularization of Anne Frank,a well-known Holocaust victim under Nazi,thereby interprets the mainstream gender culture symptoms contained in the changing images of this young girl.
出处
《贵州大学学报(艺术版)》
2011年第1期72-77,共6页
Journal of Guizhou University Art Edition