摘要
享有"蜡染之乡"美誉的安顺,是蜡染艺术的荟萃之地。目前安顺蜡染发展经历着市场经济的冲击和震荡、传统文化的动摇和涣散所引发的危机,其发展出现异化。本文从美术学角度对安顺蜡染在发展中如何保持传统,又如何融入现代社会进行了相应的分析,提出现代蜡染作品发展应在继承传统技艺的基础上,以一种更高层次的艺术手段进行创作。
Anshun,renowned as the "hometown of batik",is where the best batik is produced.At present the development of Anshun batik is confronted with different kinds of crises resulted from the concussion and impact of market economy and the wavering and collapsing of the traditional culture.From the view of fine art studies,this article makes an analysis of how Anshun batik could keep a balance between sticking to tradition and integrating into the modern society,and points out that the development of modern batik products should be based on the inheritance of traditional accomplishments,and the adoption of a higher level artistic method in the batik creation.
出处
《贵州大学学报(艺术版)》
2011年第1期88-93,共6页
Journal of Guizhou University Art Edition
关键词
蜡染
传统
现代
美术学
符号
batik
tradition
modern
fine art studies
symbol