摘要
人类对于材料的感知,依赖于光。石材,在光的照耀下,象征着一种永恒与明晰。其厚重的体量、表面的肌理、质感、内部的结构等物质特征从古至今都在证明这一词的贴切性,然而.在告别经典现代主义时期的当代,似乎这两个时代的矛盾焦点:纯粹与混杂、干净与折衷、分明与含糊在科技经济发展的前提下,同样出现在了对石材这一材料操作的要求之中。即变化与含混。这样一种由“永恒”向“变化”,由“明晰”向“含混”的转变体现了一种文化的转向,一种新的审关趋势,一种客体认知上的转变。那么石材这一清晰、明确的材料是如何回应这一转变的呢?本文从人的“五感”中的“视感”切入,以这种“转变”的前前后后为主线,研究石材的视觉特性及人们对它的视觉感受,为开拓“空间体验”研究提供一种思路。
The material feels depend on the light. Stone, is a symbol of eternity and clear. It with a thick volume, surface texture, quality, internal structure and the material characteristic is said that this word right. However, to the period of the modernism, The two of the age of paradox focus: Pure and confusion, firmly and compromise, clearly and vague appeared in the stone for operation of this material. Such a change of the culture, a new aesthetic trend, a single cognitive change. How the stone to respond to the change? This paper studies the Phenomenon of this transition, Provide space research a new direction.
出处
《建筑与环境》
2011年第2期126-128,共3页
ENVIRONMENTAL ARCHITECTURE
关键词
石材
视觉感知
半透明
转变
朦胧
含混
stone, visual perception, half transparency, change, dim, vague