波德莱尔诗歌创作的现代启示

Poetry by Baudelaire:lnspirations for Today

本文以法国十九世纪最著名的现代派诗人，象征派诗歌先驱波德莱尔的代表作《恶之花》为切入口，探究诗人在生态美学、潜意识和诗歌赋格等方面的美学思想。文章指出，波德莱尔在作品中大量运用通感的象征手法，将宇宙的万事万物之间、人与自然之间、人体内部器官之间大量原本杂乱无章的各种关系统一，联通起来，其中诗人本身起到媒介的功能；出于对物质世界强烈的不满和失望，作品从生态美学的角度重新审视并凸显”恶的意识”，流露出极端的摧毁世界的意念，以人称替代的方式折射出诗人的人生观和价值观。

This article, probing into The Flowers of Evil written by Baudelaire, the most famous French modernist poetry forerunner in the 19th century, explores those profound parameters like ecological aesthetic thoughts, subconsciousness as well as poetry figures. It postulates that Baudelalre, by the symbolic means of synaesthesia,links various turbulent relationships in unison, including all entities in the universe, humanity, the nature, and inner body organs. Among those relationships the poet functions as a medium, reflecting his strong dissatisfaction and even despair to the physical world. The poetry reassesses and emphasizes ＂the Evil Consciousness＂, revealing the extreme notion of destroying the world, mirroring the outlook and value beliefs by personal substitution.