摘要
《考古与文物》2009年3期的《"侯"形制考》一文,主要论证战国时期天子射侯的"侯"的形制呈"×"型,其根据是依照出土物的图形和必要的计算,认为汉代郑众(先郑)的注释是正确的。后世都从郑玄(后郑)之说,直到清代戴震著《考工记图录》,所绘侯形还是依郑玄之说而来。后郑之注既错,唐代贾公彦之疏亦误,连带着戴震的"侯"形也就不对了。
'Shehou'(射侯) was one of the 'zhongfa'(宗法) ritual ceremonies during the Zhou Dynasty,but its repertoire had already not been well-understood in the Han Dynasty.The author raised this idea in a previous publication on Archaeology and Cultural Relics 2009 vol.4.Taking this logic a step further,the author argues that its original meaning of 'fenghou qujue'(封侯取爵),which was supposed to symbolize auspiciousness,was misunderstood as a flower motif due to the dramatic changes of decorative methods on artifacts during the Han Dynasty.This misunderstanding was then developed into the idea called "the flower of the universe".
出处
《考古与文物》
CSSCI
北大核心
2011年第3期58-61,66,共5页
Archaeology and Cultural Relics
关键词
镜
莲花
装饰
Mirror Locus Decoration