摘要
"象物"一语,屡见于先秦典籍。由此引申出象物叙事的概念:"象物"的神话记录。具体而言:其产生背景与巫术活动的神话讲述密切相关;其表现形式是富于神话内容的图像;其心理动机是通过图像的形式达到通神和辟邪的目的;其物质载体是具有宗教意义的祭祀用物。从该角度推论,《山海经》有图且为古图,其神话的零散成因有三点。其一,今人无法感受"象物叙事"赖以形成的具体历史背景,无法感受与象物叙事的神话讲述;其二,《山海经》据以成文的"象物"之图遗失,造成神话讲述信息的流失;其三,"象物叙事"本身由宗教向礼教演化。
The term "image" frequently happened in the works of early Qing dynasty."Image Narrate" means the images of fairy-tale records.Specifically,the establishment of the image closely connected with the occult activities and fairy-tales,whose denominator was images rich in fairy-tale contents.Its psychology motivation was to achieve the purpose of spiritualistic or against evil spirits by means of images;its material carrier were articles used in sacrificial ceremony.Form this aspect,the reasons of scatter in the Shanhai Jing were the followings:1.the history background of the founding of the image narrate beyond modern feelings and cannot understand the fairy-tale narration.2.the missing of the images resulted to the lost of information.3.the image narrate itself evolving from religion to the Confucians.
出处
《钦州学院学报》
2011年第2期8-12,17,共6页
Journal of Qinzhou University
关键词
象物
象物叙事
山海经
零散论成因
images
image narrate
the Shanhai Jing
the reasons of scatter