北宋初期骈散对立互融与欧阳修“以文体为四六”

Controversy to Harmony of PianSan in Early Northern Song Dynasty and OuYang Xiu's "with Style as the Rhythmical Prose"

北宋初期,对西昆派的反对形成了北宋的骈散对立。欧阳修为了避免与传统发生直接正面的冲突,通过"以文体为四六",即将古文创作的方法技巧运用于四六创作中,创造出一种新颖的四六文章形式。"以文体为四六"又和"以四六为文体"相联系在一起,欧阳修的古文也在一定程度上融合了四六句式的整齐对仗,把四六的节奏引入古文之中。欧阳修改变了传统文章中骈散绝对对立的情形,使骈散再度融合,成为新的文章风范。

In early Northern Song Dynasty,the opposition to Xikun School gave rise to the controversy of PianSan in the dynasty.To avoid direct conflicts with traditions,Ouyang Xiu created a novel form of rhythmical prose via ＂with style as the rhythmical prose＂,which means to employ the methods and skills of ancient style prose writing to the creation of rhythmical prose.Connecting ＂with style as the rhythmical prose＂ to ＂with four and six characters as the style＂,Ouyang Xiu＇s ancient style writing,to some extent,blended the orderliness and antithesis of rhythmical prose＇s sentence pattern,bringing the rhythm of Siliu prose into ancient prose.Ouyang Xiu changed the absolute controversy of PianSan in traditional prose,and enabled the re-blend of Panwen and prose,forming a new prose style.