摘要
在20世纪80年代中后期,商品经济因素逐渐影响文学的格局,文学开始表现个体的独立价值,先锋文学的这一特质在余华小说中显露无遗。20世纪90年代,社会文化意蕴模糊,余华的创作随之发生转型,对苦难的表现由决绝趋向于温情,这种变化与中国社会文化语境的嬗变更迭有着密切关系。
Since the mid 1980s,Commodity economic factors gradually affected literature pattern,and the individual was gradually separated from the group and writers began to show the individual's independent value in the literature works.This special characteristic of avant-garde literature was exposed completely in Yu Hua's novels.When it came to 1990s,the implication of the social culture became obscure.Yu Hua' writing style thus switched along with it.His representation of misery has tended from an outright way into a tender one,which is closely related to the change of Chinese social and cultural context.This transformation has placed a deep and complex social and cultural implication.
出处
《钦州学院学报》
2011年第2期60-62,共3页
Journal of Qinzhou University
关键词
余华
群体
个体
文学自身
Yu Hua
group
individual
literature itself