论穆时英“新感觉”小说的视觉形式

On Visual Forms of Mu Shiying's "New Sense" Fictions

通过对穆时英"新感觉"小说的两种文本形式进行细读,发现"新感觉"的形式构造源于两种新的视觉方式,即印象主义视觉和蒙太奇视觉,前者帮助确立了观察者的主体地位,后者进一步赋予这种主体以自由的能动性。在此意义上,大城市人的感觉与心理机制的改变乃是"新感觉"形式的深层机制,而这一改变又是由1930年代大城市上海的各种视觉技术共同促成的结果。

By close reading the two textual forms of Mu Shiying＇s ＂new sense＂ fictions,it is found that the structure of ＂new sense＂ form originates from the appearance of impressionist and montage visions.The former helps to establish the dominate position of observer,and the latter gives this observing subject free activity.In this sense,the literary ＂new sense＂ form actually bases on the reform of people＇s sense and psychological mechanism,which is the result of visual technologies Shanghai in 1930s.