崇北抑南:焦竑的戏曲思想研究

North Worship and South Suppression- Opera Thought of Jiao Hong

戏曲艺术发展至明代出现了一个重要的转折,即南曲声腔盛行于大江南北,而北曲杂剧在南曲迅猛发展的冲击之下,呈消歇之势,并最终在万历年间成为绝响。然而,在这个由北而南总的发展趋势之中,焦竑却在其依经论乐思想的主导下,一主北曲,从而对晚明南曲尚辞藻、黜本色的流弊有所纠偏。

The development of opera encountered a significant turning point by the Ming Dynasty, and that is the southern opera - tune is prevalent in the north and south of the Yangtze River, while the northern - opera poetic drama was fading due to the impact of the rapid development of southern opera and eventually become extinct during the year of Wanli in Ming Dynasty. However, in the total north - to- south developing trend, Jiao Hong promotes northern opera under his idea of music discussion through classics, correcting the corrupt practices of valuing rhetoric and devaluing nature by southern opera.