摘要
徐志摩的诗歌创作始终交织着内心的生命体验与外在创作观念的矛盾冲突。1926年前后,由于生命体验突破了创作观的束缚,使其在多个方面发生变化。他的诗不再拘泥于"健康"、"尊严"的原则,而是直面现代人痛苦、焦灼的内心世界;大自然不再是诗人的精神家园,而是反衬出生命的渺小甚至虚无;他的现实主义诗歌不再是肤浅的场景速写,而是渗透深切的生命体验。
There is a conflict between literary idea and experience in Xu Zhimo's poetry.In 1926,his experience breached the tie of the idea to bring various changes in poetic style.His poetry got away from the principle of "health" and "dignity" to face the painful soul of modern people.The nature wasn't his spiritual home any more.On the contrary,he discovered the infinitesimal and unreal character of life.His realism verse started permeating deep experience.
出处
《南昌大学学报(人文社会科学版)》
CSSCI
北大核心
2011年第3期87-92,共6页
Journal of Nanchang University(Humanities and Social Sciences)
基金
国家社会科学基金项目"中国现代文学社团和作家群体文化生态研究"(08BZW056)
关键词
徐志摩
诗歌
体验
创作观
Xu Zhimo
poem
experience
literary idea