摘要
古典主义在中国研究论题的拓展性探究将不可避免地触及三方面内容:一是一个被遮蔽了的研究论题:古典主义在中国;二是古典主义与20世纪中国新月派文学创作之现象分析;三是以"现实主义"解读"古典主义"的局限。事实上,展开"古典主义在中国"论题研究的视境,不仅可以勘探性定位、指述与审视古典主义与儒家传统学说的内在偶合性的思想蕴涵,而且足以使人们透过古典主义与现代中国20世纪文艺创作现象之新视点勾勒、总汇与披露而获得一种理性启示的思想张力。
The research covers three aspects:1) a topic to be camouflaged:Classicism in China,2) analysis of classicism and the 20th century China Xinyue School literary production phenomenon,and 3) the limitation by "realism" interpretation of"classicism".In fact,to expand the"classicism in China"thesis research boundary can not only indicate the exploration localization,examine the intrinsic coincidence thought implication between the Classicism and the traditional Confucianist theory,but also cause the people's the new viewpoint outlines,the confluence and the disclosure by Classicism and the 20th century artistic literary creation phenomenon of the modern China sufficiently and obtain one rational enlightenment.
出处
《南昌大学学报(人文社会科学版)》
CSSCI
北大核心
2011年第3期102-108,共7页
Journal of Nanchang University(Humanities and Social Sciences)
关键词
古典主义
20世纪中国文学
新月派
人文精神
现代新儒学
Classicism
20th century Chinese literature
Xinyue School
humanities
modern new Confucianism