从“心理距离说”看陶渊明诗歌艺术的审美创造

Aesthetic Creation in TAO Yuan-ming's Poetic Art Viewed from the Perspective of the Psychic Distance Theory

陶渊明在诗歌艺术的审美创造上所提出的"心远说",不仅是诗人诗歌创作的经验总结,而且揭示了诗歌艺术审美创造中十分重要的"心理距离"问题。"心远"不仅让诗人成为精神上自由的审美主体,而且使他能够用诗意的眼光看待躬耕田园的生活,从而使得田园生活成为审美的对象,而诗人和农人一体的特殊身份以及诗歌意象选择上的个性化,则较好解决了"距离的内在矛盾"和"距离的易变性"两个问题。

The ＂theory of ambition＂ put forward by TAO Yuan-ming in the aesthetic creation of poetic art is not only the summary of the poet＇s poetic creation but a revelation of the very important ＂psychic distance＂ issue existing in the aesthetic creation of poetic art.＂Psychic distance＂ not only enables the poet to become a psychologically free aesthetic subject but also enables him to see the life in the countryside with a poetic eye,making the rural life a aesthetic object.His specific status of being a poet and peasant and his individuation in the choice of poetic images solve in a better way the problems of ＂distance contradictions＂ and ＂distance variability＂.