“花儿”为什么这样“红”——音乐人类学视野下的“花儿”研究

Why are the "Huaer" so "Red"——From the Perspective of the Anthropology of Music

文章以林县"花儿"为田野个案,通过"花儿"这一本来并不统一且各地异称的民歌形式,探究民国后"花儿"的历史形成、演化和国家化的过程。特别关注在这个过程中"国家"与个人的博弈实践,以及"花儿"文化传统如何发生变化,逐步成为"民族国家"意识的"再造物"乃至"国家"的文化工具;讨论现代"民族国家"的身份意识的影响以及体现在文化展演过程中的音乐变迁;从当代国家中的花儿音乐社区组织、文化申遗工程等方面理解"国家"如何参与"花儿"和"花儿会"概念的建构,以及地区经济为主导的地方文化发展背后传递的国家意识形态和音乐"国家化"的过程。

By using the song ＂Flower＂ in Lin County as a case, the author considered ＂Flower＂ as a folk form which was not uniform and different depended on locations. This paper explored the historical formation, evolution and state process of ＂Flower＂ since the era of China Republic. The paper was focus on the game between state and individuals, changes of their cultural traditions and influences of the identification cognition on modern state-nation. In the end, the author suggested we should understand how state involved in the definition constructions of ＂Flower＂ and ＂Flower Hui＂ based on perspectives of local community organizations and cultural protection projects＇ implement. All these above can better help us to interpret the state ideology and the state process of music under the development of local culture leading by regional economy.