嵇康《声无哀乐论》音乐美学思想中的典型命题及其论证

The Typical Preposition and Argumentation on the Music Aesthetical Thought in Ji Kang's On Sound Without Dirge

从逻辑角度对嵇康声无哀乐论的音乐美学思想及典型命题论证进一步认真分析与研究,旨在说明嵇康以哀乐"名""实"之辩来阐述"声无哀乐"的思想认识的合理性思路。

This paper,from a logical point of view,further analyzes and studies the music aesthetics and typical preposition in the sound without dirge by JI Kang,aiming at expounding the rationality of Ji Kang＇s music thought of sound without dirge from the ＂name＂ and ＂essence＂ of dirge.