摘要
芥川龙之介的遗作《齿轮》对其人生"莫名不安"的犀利剖析与对死亡主题的深刻表达,给读者带来强烈的心灵振撼。芥川在小说创作方法上不断进行探索,小说《齿轮》实践了其"没有情节的小说"创作理念,"与其说是他生涯中的最高杰作,莫如说是最具原创性(个性)之作"(堀辰雄)。本文通过空间叙事学原理阐释小说《齿轮》的独特艺术魅力。
Ryunosuke Akutagawa＇s posthumous Gear has brought immense influence to today＇ s readers by analyzing nameless anxiety and the theme of death in life in an acute way. Moreover, Akutagawa had been constantly exploring new approaches in his works. Gear put into practice a ＂no plot in the Novel＂ philosophy： ＂Maybe it＇s not the best one, but it＇s the most original （creative） one,＂ Hori Tatsuo said. This paper will illustrate the unique artistry of Gearby probing into its spatial structure of narrative style.
出处
《日语学习与研究》
2011年第3期115-120,共6页
Journal of Japanese Language Study and Research
关键词
空间叙事
共时性
复调小说
死亡主题
Spatial Structure of Narrative style, synehronic, polyphonic novel, the theme of death
