《青春之歌》中林道静的互文性意义

On the Significance of Intertextuality of Lin Daojing in Song of Youth

西方结构主义文学理论中的互文性概念表明,每一个文本都不会是孤立的存在,它总是利用和征引其前的文本而又被其后的文本所利用和征引,因此,对单个文本的孤立解读,永远不足以阐释文本的实际意指过程。依此理论来观照《青春之歌》,将人物形象林道静置于丰富多彩、摇曳多姿、环环相扣的语义流动场中,发现主人公林道静的塑造绝不是横空出世,其本身折射、渗透、连贯着三重角色,分别是:五四启蒙时代的出走娜拉、讲述话语时代的政党女儿、话语讲述时代的单独个人。

The concept of intertextuality in the western structuralist literary theory denotes that each text will not be an isolated existence.It always uses and quotes the last text and is used and quoted by the later text Therefore,the interpretation of individual texts in isolation never be enough to explain the process of the text of the actual meaning.Contemplating Song of Youth according to this theory,if we put Lin Daojing in the colorful,swaying and semantically flowing field,we can discover that the coming of Lin Daojing never be no ways,however,she refracted,permeated and was consistent with the triple roles,namely：the leaving Nora in the Age of Enlightenment of May 4th Movement of 1919;the daughter of the Party in the discourse of the times;the individual in the times of separate discourse.