摘要
东晋南朝,文人争相仿作乐府古题《相逢行》,内容既有对前代的继承,更有诸多新变。刘宋刘铄从中选取六句自创新题《三妇艳》,后代齐梁陈文人大量创作;至梁代,文人再创新题《中妇织流黄》,乐府旧题得以再现活力。从《相逢行》到《中妇织流黄》歌诗的发展流变较为清晰地展现了东晋南朝文人歌诗创作中存在的男性角色弱化、女性人物强化倾向,这一倾向与其表演性特色有密切关系。
Yuefu Song Poems Encounter on the Road were imitated by poets in Eastern Jin and the Southern Dynasties,which included inheritance and innovation.Liu Shuo wrote Three Beauty Women from Encounter on the Road's last six passages,which also imitated by Liang and Chen poets,and they wrote new poem about the middle woman made clothes.These poems'development shown the characteristics of Yuefu song poems during these dynasties.
出处
《东方论坛(青岛大学学报)》
2011年第2期78-84,共7页
Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
基金
国家社科基金课题<魏晋南北朝歌诗研究>(编号:06BZW029)的成果之一
关键词
东晋南朝
歌诗
相逢行
三妇艳
Eastern Jin and the Southern Dynasties
song poem
Encounter on the Road
Three Beautiful Women