摘要
对于民族身份的现代性构成来说,性别视阈是一个非常重要的研究途径,当代文学中有关中国女性与西方男性的跨国情缘叙述便投射出了一种"中国"/"西方"的民族寓言,而且这一过程在近三十多年的当代文学变迁中呈现出了自恋主义下的民族主义修辞、日常生活意识形态被神话之后民族的颓败与性别的沦落、重建性别回廊中的民族身份等不同的文本形态。论文通过不同时代代表性作品的典型分析对此做了细致阐述。
Gender visual threshold is very important way of study in terms of the formation of modernity in national identity.In contemporary literature,the narrative of transnational love between Chinese females and foreign males has reflected a national fable of "China" and "the West",which has,in the changes of contemporary literature over the past thirty years,been represented in various textual forms such as the national rhetoric under narcissism,the national decadence and gender degeneration following the idolization of daily life ideology,and the national identity in the course of gender reestablishment.This paper aims to make a careful analysis of such phenomena through a comparative study of representative works in various eras.
出处
《海南师范大学学报(社会科学版)》
2011年第2期57-63,共7页
Journal of Hainan Normal University(Social Sciences)