摘要
考察《古今杂剧》、臧懋循的《元曲选》中旦本戏中正旦的喜剧性,认为正旦的科诨的难设置,促使戏剧家运用情节喜剧与性格喜剧来营造正旦的喜剧性,这两种喜剧手法能取得比科诨更长时、更浑融无间、更丰富的喜剧效果,显示出杂剧喜剧手法的进一步发展。
This paper studied the comedy of feminine leading role in the opera with a feminie role as a lead character from Poetic Drama at All Times.It finds that the buffoonery of leading feminine role is difficult to establish which impels the play writer to use comic plot and comic characteristic to present the comedy of an opera.This two comic technique can keep the comic effect for longer and indicates the development of comic technique in Zaju.
出处
《鸡西大学学报(综合版)》
2011年第6期93-95,共3页
JOurnal of Jixi University:comprehensive Edition
关键词
旦本戏
正旦
杂剧
喜剧手法
opera with a feminie role as a principal character
one of the feminine opera role
poetic drama
comic technique