摘要
美国当代戏剧家贝丝的《心灵之罪》刻画了玛格鲁三姐妹,剧作家在人物形象的塑造中广泛运用"裂像"手法,从而产生了悖论式的效果。"裂像"让内涵迥异的意象并置,它不仅给观众一种怪诞的艺术趣味,更是作家揭示父权制管辖下,美国南部众多女性命运之多舛的深度书写。
The MaGrath sisters in Crimes of the Heart by Beth Henley are created with abundant split images, which are frequently paradoxical or ironical. The juxtaposition of the split images in the characterization not only brings about a weird dramatic fun for its audiences, but also proves to be a unique approach to exposing the living conditions of women in the patriarchal society of Southern America.
基金
江苏省教育厅高校社科项目(09SJD750028)的阶段性成果
