造型基础教学中的民族化问题探讨

A Brief Study on the Nationality Question of the Modelling Foundation Teaching

新文化运动前后的西学东渐之风,使中国美术教学吸收了西方的现实主义绘画精神,丰富了中国美术的学科结构和绘画表现力。由中国传统文化积淀而成的民族绘画传统,已经成为一种恒定的审美习惯并完全根植于我们民族文化的血液之中,不可能被外来文化背景下的审美意识所取代。长期以来,中国美术基础教学强调的是通过西方的写生手段使学生逐渐领悟造型的基本知识,忽视了对本民族文化精神的体现,这显然不利于更好地建构独具东方神韵的中国美术体系。

The eastward movement of the western culture and the new culture movement before and after, Chinese fine art has absorbed the spirit of western realistic painting, rlched subject structure of the Chinese fine art and expression for the painting.Formed by the accumulation of traditional Chinese culture, the national tradition of painting has become a constant aesthetic habit and been rooted in our culture completely ,and which can not be replaced by the aesthetic consciousnes under the foreign cultural background. For a long time,in foundation teaching of chinese fine art , it is very important to stress that teaching is base on the technique of Western draw in life to make students gradually understand the basics knowledge on modelling, not make a national culture spirit, Obviously,it is hard for us to construct a China＇s art System with eastern ambience.