摘要
《红楼梦》在中国小说历史上第一次摆脱说书人的格局,采取了复杂的叙述分层模式。通过层层叙述责任的转移,以及频繁的跨层现象,全书的四个叙述层次不仅呈现出叙述主体的意图,更调动着接受主体的阐释能动性,使叙述者与受述者双方在假作真时真亦假的叙述中,体味红楼叙述世界的意义。
A Dream of Red Mansions is the first Chinese novel which employs the complicated narrative stratification instead of the narrative pattern of story telling.This paper probes into the frequent shifts of the four narrative strata of this novel and demonstrates the artistic effect produced in the stratified narration.
出处
《三峡论坛》
2011年第3期117-122,150,共6页
China Three Gorges Tribune
关键词
叙述分层
跨层
叙述主体
narrative stratification
cross-stratum
narrative subjectivity
