美学的文化学转向

Turn of Aesthetic Culturology

在20世纪末和21世纪初,美学和文学艺术理论领域出现了文化学转向。在西方与在中国,发生这种转向的语境不完全相同。走出康德式的审美无利害和艺术自律,将分析美学与美学上的文化学转向结合,成为当代中国美学发展的特色。在正确认识西方理论及其在中国的误读后,清醒认识当代中国文学理论资源,建立一种既有普世因素也有个性特征的美学和文学理论是中国美学研究的当务之急。这种新的研究会带来新的学术气象,代表着当代美学和文学研究的发展方向。

In the late 20th century and early 21st century,culturology turn occurred in aesthetics and theories of literature and art.In the West and China,the context of this turn was not identical.Moving out of the Kantian aesthetic disinterestedness and artistic self-discipline,combining analytic aesthetics and turn of aesthetic culturology is becoming the characteristic of the development of Chinese aesthetics.After the correct understanding of western theories and recognizing the resource of contemporary Chinese literature theories,establishing aesthetics and literature theories with both universal factors and distinguishing features is the top priority of Chinese aesthetic research.This new research will bring new academic prosperity,represents the direction of the development of contemporary aesthetics and literature.