新世纪诗歌的回归与融合——从“中间代”诗群“命名”现象谈起

Regression and Integration of Poetry in the New Century Viewed from the Name of "Mid-generation" Poets

从民间诗歌刊物走向正式出版物,"中间代"诗群的"命名"行为传达出鲜活的现场感,"命名"行为本身所拥有的诗学意义和文化意义丰富深刻,昭示了时至今日诗歌在某种程度上更加回归文学本位。同时,"中间代"诗群的"命名"行为连结了"民间"和"官方"的文学力量,显现出二者互补融合的诗歌发展趋势,这也从另一方面说明体现当代诗歌发展趋向的新的美学风格尚未成熟,诗人和诗尚处于摸索和调整的时期。

The great leap from local booklets to publications in poetry,the ＂naming＂ of ＂mid-generation＂ poets and the naming significance in poetry and culture,all these indicate that poetry has in some way aggressed to its literary nature.At the same time,the naming of ＂mid-generation＂ poets has built a bridge between ＂local＂ and ＂official＂ literatures,which shows the Chinese poetry development trend.This also states that the aesthetic style of modern Chinese poetry development has not been established,and that Chinese poetry and poets are at the stage of exploration and adaptation.