摘要
在小说《洛丽塔》中,纳博科夫突破传统小说的窠臼,不仅取材大胆,而且在小说叙事过程中,一方面使用大量的"造真"手段、过分渲染真实,让读者以为亨伯特真诚地忏悔了他痛苦的生命历程;另一方面通过巧妙的情节安排和人物命名以及戏仿等艺术手法,自曝其虚构性质,使小说具有鲜明的后现代主义的元小说特征。
In Lolita,Vladimir Nabokov breakthroughs the set pattern of traditional novel by using controversial materials.Furthermore,he tries to make readers believe Humbert confesses his trouble sincerely on the one hand and on the other hand reveals that the novel is a total fabrication by naming and parody as well as ingenious plot arrangement,which characterizes the novel as a meta-fiction of post-modernism.
出处
《齐齐哈尔师范高等专科学校学报》
2011年第3期57-58,共2页
Journal of Qiqihar Junior Teachers College
关键词
洛丽塔
虚构
元小说
Lolita
fabrication
meta-fiction