摘要
中国古代绘画"形""神"兼重的思想可分为三个阶段:汉朝时期为"形""神"兼重绘画思想的提出时期,魏晋南北朝时期为"形""神"兼重绘画思想的发展时期,唐朝时期为"形""神"兼重绘画思想的深化时期。
The thought of equal stress on "shape" and "spirit" in China's ancient painting can be divided into three stages:such a thought was put forward in the Han Dynasty,developed in the Wei Jin as well as the Northern and Southern Dynasties,and promoted in the Tang Dynasty.
出处
《湖南工程学院学报(社会科学版)》
2011年第2期42-44,71,共4页
Journal of Hunan Institute of Engineering(Social Science Edition)
关键词
中国古代绘画
“形”“神”兼重
汉朝
魏晋南北朝
唐朝
China's ancient painting
equal stress on "shape" and" spirit"
Han Dynasty
Wei Jin as well as the Northern and Southern Dynasties
Tang Dynasty