王国维艺术审美“隔”与“不隔”理论之意义——以音乐审美为例

On the Meaning of Wang Guowei's Artistic Appreciation Theory of "Ge" and "Bu Ge"——A Case of Music Appreciation

王国维艺术审美学说中"隔"与"不隔"的观点,对中国传统音乐鉴赏有着重要的指导意义。语语皆在目前的"不隔",实则需要我们对音乐作品的文化生态语境进行具体解析。就我国经典民乐二胡独奏曲《二泉映月》的文化生态语境而言,无论是创作者的人生经历还是作品蕴含的精神内核,都是我们在进行传统音乐审美鉴赏时由"隔"到"不隔"所必须阐释的视角。

As the aesthetic doctrine of Wang Guowei,＂Ge＂ and ＂Bu Ge＂, have the same important guiding significance to the teaching of traditional music appreciation. ＂Ge＂ means the words evoking lifelike images within the mind, which really needs us to analyze the ecological context of the music works. This paper analyzes the feasibility in the teaching of the ecological context of the Erhu solo Er Quan Ying Yue. According to this analysis,when cultivate the ability of college students to appreciate the traditional music, both the artist＇s life experiences and the spiritual core of the work can be the spe- cific perspectives from which to eliminate the various barriers between the traditional music and college students. With clearing the mind at once by ＂Ge＂,the traditional music can be inherited more accurately. And the ultimate goal of this heritage is to enrich the creativity of quality education.