萧开愚诗歌语言的层次研究

Research of Language Hierarchy in Xiao Kaiyu's Poems

在萧开愚的诗歌里,我们可以感受到一个语言本体和语言层次的悖论,前者要求诗歌面对现实时绝对的自足性,后者则更多地考虑了现实对诗歌的的参照和渗透作用。萧开愚的可贵之处是同时在两个方面都有深入的探索,虽然他对汉语性和诗歌形式的强调可能使他在诗坛上曲高和寡,但他对现实的关注也使他写出《破烂的田野》这样的愤怒之作。如果他那里存在一个诗歌的理想国,这个理想国不会是整体性的、一体化的,而是以悖论和残缺的方式出现,也就是说,萧开愚的诗歌理想国是以不同的层次呈现出来的。

From Xiao Kaiyu＇ s poems, we can sense the paradox of language reality and language hierarchy. The former makes the poetry absolutely self-contentedd in facing reality and the latter emphasizes more of the consultant and penetrating function that reality plays to poetry. Xiao Kaiyu＇ s valuable point lies in his significant probe into the two at the same time. Although his emphasis on the Chinese nature and poetic styles makes him isolated in the poetry field, his attention to the reality makes him create resentful poems as Poor Field. If he had a poetic ideal realm in his mind, the realm would not be whole and integrative, but be presented in a way of paradox and incomplete, that is to say, Xiao＇ s poetic ideal realm appears in different hierarchies.