摘要
包括改革—反腐、历史、军事等重大的、有轰动效应的题材在内,1958年起至今半个多世纪以来的中国大陆电视剧的英雄叙事主要呈现出如下特征:叙事视角从宏观向微观转换;英雄人物形象从单一化走向多元化;叙事模式中凸显了编剧者及导演将"统治阶级意识形态转变成统治的意识形态"的过程;该叙事在创造着消费的历史。
From 1958 to now, Chinese mainland teleplays covered many important and sensational subjects like reform, anti - corruption, history and wars. They are of the following characteristics: narrative perspective changing from macroscopic view to microscopic view; the heroic image has gone from simplification to diversification; the process in which the screenwriter and director transform ideology of ruling class into that of ruling has become the highlight in the narrative modes; this narration is making consumptive history.
出处
《菏泽学院学报》
2011年第3期115-119,共5页
Journal of Heze University