论中国电影不同代系导演对儿童形象的塑造

On the Portrayal of Children's Images in Chinese Movies by Different Directors

从《闪闪的红星》到《城南旧事》,再到《一个都不能少》,中国儿童影片实际上经历了一次"人"的回归,更准确地说,是儿童自我的回归。从脱离儿童的心理特征到儿童自我的心理认同,再到肯定儿童的人格和人性,这一系列变化体现出了儿童影片对"人"的尊重,使"人"自身真正回归为艺术的主题。

From the Sparkling Red Stars to My Memory of Old Beijing, and to Not One Less, Chinese children movies experienced a return of human being, more accurately, a return of children themselves. From the separation of children＇ s psycho - characteristics to mental recognition, and to affirming children＇ s personality and nature, all of these changes showed the respect to human being, and made human being return to the real artistic theme.