摘要
不同文化圈的美术学比较研究,可以使"艺术作品的相互解明"成为最有希望的可能性。当然,比较的方法,并不是把艺术作品的形式现象作为比较的基础,而应该努力选择以艺术作品的中心原理为出发点,比较和探讨东西方风景画的本质与结构特征,使美术学的研究与寻求并展示艺术作品根本要素的基本问题联系起来。对东西方美术基础"结构"的认识,唯有在比较研究中,才能有富有价值的阐释,才能够更确信地在特定的全体中整理个别艺术作品。通过比较研究,才可以断定一定艺术圈、时代以及人种或地理上一体的艺术的结构,这个"结构"显示了东西方艺术作品各自最内在的特性。
Comparative studies on fine arts from the perspective of different cultural fields have made "a mutual interpretation of art works" excessively possible.Without doubt,the comparison should not be based upon formal manifestations of the works.The central principle of those works should be chosen as the starting point and then the essence and structural features of Oriental and Western landscape paintings can be contrasted and discussed.Only through comparative research can the basic "structure" of Oriental and Western fine arts be interpreted in a more valuable way,and single pieces of art works be organized in a particular entirety with more certainty.It is also through comparative studies that people can decide the structure of art from certain fields,times,nations or regions,which shows the innermost quality of Western and Oriental art works.
出处
《文化艺术研究》
2011年第1期226-241,共16页
Studies in Culture and Art
基金
2009年度国家社会科学基金艺术学项目“比较艺术学体系研究”阶段成果(09BA011)
关键词
中国风景画
西欧风景画
比较
结构
Chinese landscape paintings
Western landscape paintings
comparison
structure