摘要
文章以鲍元恺《炎黄风情——24首中国民歌主题管弦乐曲》为蓝本,通过对其复调技法的全面、系统的分析研究,展现了鲍元恺先生是如何巧妙地将源于欧洲多声音乐的复调技法与中国传统的单声部民歌相融合,并促进中国民族化复调的创新与发展的。
Based on systematic analysis of polyphonic techniques used by Bao Yuankai in his Chinese Sights and Sounds 24 Orchestra Pieces on Themes of Chinese Folk-songs, this article investigates how he skillfully combines the polyphonic techniques originated from European music with Chinese traditional monophonic folk songs and how he promotes innovation and development of Chinese-style polyphony.
出处
《星海音乐学院学报》
CSSCI
2011年第2期118-127,共10页
Journal of Xinghai Conservatory of Music
关键词
《炎黄风情》
中国民歌
复调
Chinese Sights and Sounds
Chinese folk-songs
polyphony
