当代西方绘画艺术管窥

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摘要一形式与观念二十世纪八十年代中期以来,西方一切艺术流派都消失了。艺术史也不再受到某种内在必然性的驱动,人们感觉不到任何明确的叙事方向,人们也不再争论艺术创作的正确方式和发展方向。

作者常宁生

机构地区南京艺术学院美术学院

出处《荣宝斋（当代艺术版）》 2011年第3期250-259,共10页

关键词西方绘画艺术当代八十年代二十世纪艺术流派艺术创作必然性艺术史

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荣宝斋（当代艺术版）

2011年第3期

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