“流亡”在上海——重读梁京(张爱玲)的《十八春》与《小艾》

"On Exile" in Shanghai: Re-reading Liang Gin(Eileen Chang)’s Eighteen Springs and Xiao I

1949年后的张爱玲人生行程发生变化,她体验了典型流亡作家的心路历程,成为东亚流亡文学研究的一个重要案例。以＂境内流亡＂的视角探讨张爱玲以笔名＂梁京＂所写的《十八春》及《小艾》,通过分析两作的不同版本,可以厘清张爱玲藉修改来响应时代变化的心路历程。研究发现,张爱玲在精神世界与文学世界的追求上逸离主导性的时代潮流,表面看似无可奈何地屈从了时代,但实际依然不合时宜,因此她的人与作品都具有流亡的意味。

Ever since 1949,Eileen Chang experienced a typical mental course of writers on exile,thus being an important case for the study of exile literature in East Asia.Intending to explore Zhang's mental course of adapting to the times by revising her works,this paper,from the perspective of 'exile in the country',analyzes different versions of Eighteen Springs and Xiao I written by Zhang with the penname Liang Gin.It is found that though she had resigned herself to the status quo superficially,she was still out of accord with the times as both her spiritual world and literary pursuit deviated from the leading trend of the times,giving her works as well as herself a tinge of exile.