摘要
中国音乐中存在"在音高材料相同的情况下,由于音高排列顺序不同而呈现不同宫调"的宫调游移现象,使隐藏在中国音乐作品中多变的色彩性音响和非功能的和声表象下的五度关系功能逻辑成为音乐发展以及音高材料间联系的重要纽带,形成了中国风格音乐与西方大小调以调性为中心的表达方式的音乐间的差别,进而构成中国音乐音响多变与多解的独特魅力。
There is a Gong Diao delocalized phenomenon,which presented different Gong Diao with the same pitches materials but different permutation order of pitches,in Chinese music,it made the functional logic of circle of fifths,hiddened in both of changeable colour sounding in Chinese music and behind the non-functional harmony,to be an important link between music development and pitch materials.It showed the difference between the Chinese music style and the Westen music expression as the tonality center of major and minor,and then formed the individual charm of Chinese music with various sounding and multiple interpretations.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2011年第3期7-15,共9页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
宫调游移
三度宫调综合手法
五度关系功能逻辑
wobbling of "Gong Diao"
comprehensive method of third "Gong Diao"
functional logic of circle of fifths