摘要
文章以《中国民间歌曲集成.湖北卷》中辑录的287首主煞型田歌为研究对象,立足旋律微观结构分析理论,通过对"声韵"、"声韵型"等概念的阐释以及三声韵命名、分类、形态、特征的探究,拟构建以三声韵结构为基础的民歌三声腔分析实践体系,以期达到从细部了解田歌这一古老民歌品种的旋律构成情况并及探索其规律之目的。
Through studying of 287 field songs collected in the Collection of Chinese Folk Songs Volume Hubei,based on analysis theory of microcosmic structure of melody,the paper explored to interpretate the conception of rhyme,model of rhyme,as well as the tune of three tones with its naming,classification,formation and features,tried to build up practical analysis system for the tune of three tones in folk songs,in order to achieve to the purpose of learning the melody constitution of the field songs in the details and explored its rules
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2011年第3期16-27,共12页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
湖北
民歌
田歌
旋律
三声腔
声韵
中国传统音乐
民族音乐学
Hubei
folk song
field songs
melody
tune of three tones
rhyme
Chinese traditional music
ethnomusicology