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论民族音乐创作中的“意韵”形态架构 被引量:5

On the Architecture Shape of Rhyme in the National Music Creation
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摘要 音乐创作中民族化意象构造,是作曲家创作过程中的心理活动状态。然而,音乐作品的民族意向、风格意向、情境意向的定位筛选和思考又是曲作者创作过程不可或缺的重要环节,它涉及到除了形象、表象之外的"可意会、可神会"的民族音乐中特定的心像活动形态架构过程。这一环节是音乐意象的先导意识,是作品民族风格体现的"精髓",笔者称之为"意韵"形态架构环节。本文试图通过对创作中"意韵"形态架构环节的生成现象,简述音乐民族化创作过程中这一必由的心像之路,提出"意韵"形态架构环节在音乐创作中的重要性和必要性,与业界同行们进行探讨。 The author pointed out that the national rhyme shape in music creation belongs to the composer's state of mental activity during the process of composition.For music work,the author also considered that the interest of national,style and circumstances had been an important link for the composer to thinking about during the creative process.This link is guide awarenessof music image,and the essence of the work national style embodiment,and the author named it as Rhyme of shape architecture.Through the generated phenomena of Rhyme in the creation,the papers discussed this kind of thought process during national music creation,and proposed that the importance and necessity of link of Rhyme of shape architecture in music creation.
作者 陆建业
出处 《黄钟(武汉音乐学院学报)》 CSSCI 北大核心 2011年第3期71-78,共8页 Huangzhong:Journal of Wuhan Conservatory of Music
关键词 民族 音乐创作 意韵 形态 架构 national music creation rhyme shape architecture
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