摘要
本文立足艺术史学角度,对“于阗画派”在唐代画坛的流变与传播进行了全方位的阐述,并对尉迟乙僧的艺术风格进行了多角度还原和论证,依据图像学和艺术风格学原理论述了“于阗画派”对唐代人物画的突出作用,同时也对该画派和日本佛教造像之间的渊源关系作了一定的探讨。
On the basis of art historians, this article elaborates the development and spreading of "Yutian School" in the art circle in Tang Dynasty and it expounds and proves the art style of Yuchiyiseng. It also states the predominant roles of "Yutian School" in figure paintings of Tang Dynasty from the iconology and the artistic style, while discusses the connections between the school and image statues of Japanese Buddhism.
出处
《吐鲁番学研究》
2011年第1期89-95,共7页
TURFANOLOGICAL RESEARCH
关键词
于阗画派
尉迟乙僧
唐代画坛
铁线描
凹凸法
Yutian School
Yuchiyiseng
The art of concave - convex circle in Tang Dynasty
iron wires
Method