摘要
高新技术与艺术融合所产生的电影、电视、多媒体、数字音乐,从人类学立场上看,依然是先民的技术-艺术双向合成模式。人性中原本存在的对话性机制,不可能使人在当代高科技的逼压之下异化为非人。与此同时,现代主义艺术中以西方文化理念为其终极理性诉求的西方精神意旨,也绝不会再一统天下地成为未来艺术世界中与情感对话的惟一性存在。中国艺术价值一旦被证明,其对于将来的人类大文化整合和大文化建构,就可以发挥不可替代的作用。那么,中国艺术价值必然也会成为后技术时代乃至未来,人类艺术中与人类情感实行对话性建构和共存的极为重要的精神实体,成为未来艺术文本中新的具有普世价值的"超越性意旨"之一。
The new way of emotion expression generated from the fusion of today's high-tech and art——from movie,TV,to multi-media and digital music.From the point of anthropology,it is still the mode of the ancestors' technology and artistic two-way synthesis.Human can not be deformed because of the dialogue mechanism originally existing in human nature even under the pressing of contemporary high technology.Meanwhile,the western spirit oriented by western culture idea as the fi nal pursuit in modernism art will never become the only one that dialogues with emotion as the whole future art world.The Chinese value,with a history of 5,000-year cultural inheritance,once it is proved to play an irreplaceable value role in the future human cultural integration and great cultural construction,then,it will certainly become the foremost spirit entity in human art and human emotion which implements the construction and coexistence dialogism in the post technology age or in the future,as well as the only new "transcendent intention" with a universal value in the future artistic text.
出处
《设计艺术研究》
2011年第2期8-11,37,共5页
Design Research
关键词
后技术时代
艺术愿景
对话性共在
中国艺术
Post technology age
Artistic vision
Dialogism coexistence
Chinese art