摘要
将美学作为表现科学予以阐述,旨在揭示审美的流变性和模糊性,是反映审美主客体之间复杂关系,并表明审美的多样性与复杂性,是由其动态特征所决定的。这种动态性和流变性,可以归结于"时间、地点、人物"之间的三位一体的统结构关系。而当审美主体作用于景观对象时,就滋生了可意蕴性景观。可意蕴性景观是美学景观的较高层面的体现,其结构形式决定了景观主体的可意蕴特征,是景观设计的美学关系的核心所在。
This paper elaborates the esthetics as an expressional science that reveals the rheology and fuzzification of esthetics contingented on the complex relationship between subject and object.It also indicates that the diversity and complexity of esthetics are decided by its dynamic features,which can be ascribed to the structural relationship of 'time,place and persons'.The meaningful landscape is the highest reflection of esthetical landscape design whose structural forms have created the subjects of landscape and the core relationships of landscape design for esthetics.
出处
《设计艺术研究》
2011年第2期48-50,54,共4页
Design Research
关键词
美学
可意蕴性
景观
Aesthetics
Meaning
Landscape