用玻璃诠释“无心画”的意境

The Conception Of The"Wu Xin Hua"shown In The Glass Artistic Production

＂无心画＂是清代著名戏曲家李渔在观景中有感而发提出的理论,本文通过对＂无心画＂的解读,联系相关体裁的玻璃艺术作品,看玻璃如何来诠释＂无心画＂中的意境。一.＂尺幅窗、无心画＂清代著名戏曲家李渔在其所著《闲情偶寄》中写到：＂浮白轩中,后有小山一座,……是此山原为像设,初无意于为窗也。后见其物小而蕴大,有＂须弥芥子＂之义,……＂遂命童子裁纸数幅,以为画之头尾,乃左右镶边。头尾贴于窗之上下,镶边贴于两旁,俨然堂画一幅,而但虚其中。非虚其中,欲以屋后之山代之也。

The theory of the'wu xin hua'was first presented by LIYU,who is one of the famous drama theoretician in Qing Dynasty.Connecting with the correlative glass artistic production,how is the artistic conception of 'wu xin hua' annotated by glass is shown in this paper though the understanding of the meaning for'wu xin hua'.