摘要
元杂剧由于剧团规模有限,不得不"以演员定角色;"南戏逐渐"以角色定演员",促进了演出角色的类型化。在此基础上剧本角色和演员脚色相互适应,形成了以演员规范化为特征的脚色论和人物类型化为特征的角色论,使得古典戏曲的叙述策略得以确立。
Subscribing the role by the actor was the only choice available in the Yuan zaju-opera because of the limited troupe scales.But a breakthrough occurred in the Southern opera.The actor was subscribed by the role,facilitating typologization of roles.The mutual adaptation between the role and the performer led to two narrative strategies in Chinese traditional operas:specialized performers and typed roles.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2011年第2期109-119,共11页
Drama:The Journal of the Central Academy of Drama
基金
国家社会科学基金项目"历代社会转型
文化整合与文学变革研究"(08CZW011)成果之一
关键词
脚色
角色
叙述策略
role
character
narrative strategy in Chinese operas