摘要
从甲骨金石媒介,到纸质印刷媒介,再到数字电子媒介,媒介之间始终存在着补救、改善、探索、叠加和增值的现象。新媒介总是不断吸取着旧媒介身上"新鲜的血肉"。随着数字时代的来临,"媒介间性"得到前所未有的生长,一种崭新的、潜力巨大的媒介生产"意义链"呈现在人们面前。编辑不断更新旧媒介、创造新媒介,拓宽着单一媒介的意义空间,不断衍生出新的文化产品,对优秀资源的再利用和多元生产起到积极推动作用。
From the Oracle-bone and Bronze media, the paper print media, to digital electronic media, these phenomena, such as remedy, improvement and exploration, superposition and value-added, exist among the media throughout the whole history of their development. Neo-media always absorb fresh flesh and blood from previous ones. With the coming of the digital age, "Intermediality" achieves an unprecedented development. The chain of signification, a bran-new media production with a huge potential, has been presented in front of us. The edit updates old media and produces new media con- stantly. It also broadens the signification space of individual media. At the same time, new cultural products are derived constantly. What is said above is playing a positive role in promoting the reuse and multiple production of some excellent cultural resources.
出处
《中北大学学报(社会科学版)》
2011年第3期104-107,共4页
Journal of North University of China:Social Science Edition
关键词
编辑
媒介间性
文化
意义链
edit
intermediality
culture
chain of signification